Tone Clock · Set classes · 4 notes
4-27
dominant or half-diminished seventh
prime form 0258 · vector 012111 · 24 sets
Open 0258 in the workspaceTwo shapes, each the other’s mirror
Interval content
| ic1 | ic2 | ic3 | ic4 | ic5 | ic6 |
|---|---|---|---|---|---|
| 0 | 1 | 2 | 1 | 1 | 1 |
Every set in the class holds no semitones, one whole tone, two minor thirds, one major third, one fourth and one tritone.
Common tones
| T0 | T1 | T2 | T3 | T4 | T5 | T6 | T7 | T8 | T9 | T10 | T11 |
|---|---|---|---|---|---|---|---|---|---|---|---|
| 4 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 |
Notes a set keeps when transposed by n.
| T0I | T1I | T2I | T3I | T4I | T5I | T6I | T7I | T8I | T9I | T10I | T11I |
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 2 | 2 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 3 | 0 |
Notes a set keeps when inverted about n.
Its 24 sets
Set theory treats D# and Eb as one pitch class; the names under each set use one fixed spelling, sharps except Bb.
0258 · half-diminished seventh chord
- 0258C D F G#
- 1369C# D# F# A
- 247tD E G Bb
- 358eD# F G# B
- 0469E F# A C
- 157tF G Bb C#
- 268eF# G# B D
- 0379G A C D#
- 148tG# Bb C# E
- 259eA B D F
- 036tBb C D# F#
- 147eB C# E G